4. video

[Amministratore]

titolo: corsivo
musicista interprete:
data della registrazione:
luogo della registrazione:
studio di registrazione:
sound engineer:
direttore della registrazione:
dur: in minuti e secondi
supporto d’origine: (nastro magnetico, cassetta, disco in vinile, microsolco, cd audio, dat, video vhs, dvd, mp3, mp4)
dati discografici: editore, luogo, data di edizione/collana


The music published in OctandreProject is exclusively dedicated to divulgation purposes and not commercial. This within a program shared to study classic educational music of the 1900'/music today which involves thousands of people around the world. If someone, for any reason, would deem that a video appearing in OctandreProject violates the copyright, please inform us immediately and it will be our care to remove immediately the copyrighted material accordingly.
(La musica pubblicata in OctandreProject è dedicata esclusivamente alla divulgazione per scopi non commerciali. Questo all'interno di un programma educativo per studiare musica del 1900/musiche d’oggi e si rivolge ad una platea internazionale. Se qualcuno, per qualsiasi motivo, ritiene che materiali che appaiono in OctandreProject violano il diritto d'autore, vi preghiamo di informarci e sarà nostra cura rimuovere immediatamente il materiale indicato.)

[Amministratore]

titolo: lulu
musicista interprete: Graham Vick (regia), Andrew Davis (conductor), The London Philarmonic Orchestra

Lulu is Christine Schafer
Countess Geschwitz is Kathryn Harries
Wardrobe, Mistress, Schoolboy, Groom is Patricia Bardon
Doctor, Theatre Manager, Banker, Professor is Jonathan Veira
Painter, Negro is Stephan Drakulich
Dr Schon, Jack the Ripper is Wolfgang Schone
Alwa is David Kuebler
Schigolch is Norman Bailey
Animal Trainer, Athlete is Donald Maxwell
Prince, Manservant, Marquis is Neil Jenkins

data della registrazione: 1996
luogo della registrazione: London
studio di registrazione: Channel 4 NVCArts
sound engineer:
direttore della registrazione: Jonathan Hinden, Humphrey Burton (TV: NVC ARTS)
dur: 183'52"
supporto d’origine: (youtube, mp4)
dati discografici: Michael Moore, 30 agosto 2013

collegamento

"An indisputable candidate for the greatest opera of the 20th century," if the entire opera was publicly unveiled catastrophically late (1979), left or taken for incomplete, even forbidden "as a decadent oddity—perverse, bizarre" (Philip Hensher); so that, though quite ambiguous, richly expressive, and sensuous, it was initially guarded by misrepresentation as a morality tale rather than openly acknowledged as a subtle lure (reaching for bidirectional culmination furthest within itself) to subversive social critique of identity. "Lulu is the destroyer of all because she is destroyed from all sides." (Karl Kraus)

Wedekind's ERDGEIST (1895)

ACT I.
1. A spacious but shabby painter's studio: Recitative I; Introduction, Canon, and Coda; Melodrama; Canzonetta; Recitative II; Duet; Arioso; and then INTERLUDE.
2. An elegant salon in the Painter's house: Duettino; Chamber Music I (Wind Nonet); SONATA -- EXPOSITION (Principal Theme, Bridge, Subordinate Theme: Gavotte and Musette, Closing Theme) and REPRISE (Principal Theme, Bridge, Subordinate Theme: Gavotte and Musette, Closing Theme); Monoritmica (Schrei der Lulu bei dem Maler); and then INTERLUDE (Closing Theme of REPRISE).
3. A theater dressing room: Ragtime; Andante; English Waltz; Recitative; Chorale; Introduction, Sextet; and then SONATA -- DEVELOPMENT and RECAPITULATION (Principal Theme, Bridge, Subordinate Theme: Gavotte and Musette, Closing Theme).

ACT II.
1. A large living room in Schön's house: Recitative; Arietta; Cavatina; Ensemble; and then FINALE TUMULTUOSO -- ALWA-LULU RONDO INTERROTO (Principal Theme, Bridge Theme, Subordinate Theme, Principal Theme, Transition, Concluding Theme, Codetta) [N.B., "Fleisch-und-Blut" WOZZECK quotation, "Ich liebe dich" on the Tristan chord]; Chorale (Theme, Variations I-II), Tumultuoso (Introduction, Dr. Schön's Aria strophes I-IV, LIED DER LULU, Dr. Schön's Aria strophe V), Grave, Transition, Arietta.
2. Silent drama: INTERLUDE (Ostinato) as Curtain Music I, Film Music I and II, and then Curtain Music II -- a palindrome, centered at

Wedekind's DIE BÜSCHE DER PANDORA (1904)

3. The same living room, one year later: Recitative; Largo; Chamber Music II (Chamber Orchestra); Melodrama; ALWA-LULU RONDO INTERROTO (Subordinate Theme within Lulu's Entrance Music (Recitative I of Act I, Scene 1), Contrasting Episode I, Contrasting Episode II as Variation I on Lulu's Entrance Music, Concluding Theme and Variation, Codetta); ALWA-LULU RONDO RECAP. (Principal Theme as Canon, Bridge Theme, Principal Theme, Concluding Theme, Coda as Variation II on Lulu's Entrance Music); Musette; and then ALWA'S HYMN [N.B., Karl Kraus quotation, Lyric Suite quotations], concluding on the couch where Dr. Schön died.

ACT III.
1. Paris, a spacious salon, the center door at the rear opening into the gaming room and the side door leading into the dining room: Introduction (Orchestral Prelude); Ensemble I (Circus Music, Reprise, Contrasting Section, Recap. of Circus Music); Transition; Duet I as Concertato Chorale Variations; Variations I, II on English Waltz; EPISODE -- The Procurer's Song, Transition, Recap. of LIED DER LULU; Variations III-IV; Reprisal of English Waltz as Theme; Variations V-XII; Ensemble II (Circus Music, Contrasting Section, Recap. of Circus Music); Duet II; Cadenza-recitative for solo violin (Marquis) and piano (Athlete); Declamations; Ensemble III (Circus Music, Variation on Contrasting Section of Ensemble I, Variation on Contrasting Section of Ensemble II, Variation on Recap. of Ensemble I, Variation on Recap. of Ensemble II); Recitative; and then INTERLUDE (Variations I-IV on The Procurer's Song: Maesoto, Grazioso, Funebre, Affetuoso).
2. London, a windowless attic in the East End: SCENA I -- Barrel Organ Music as Theme of The Procurer's Song, Transition, Recap. of Recitative II (Act I, Scene 1), Recap. I of Canzonetta; SCENA II (Medical Specialist as Professor) -- Barrel Organ Music as Theme of The Procurer's Song, Transition, Recap. II of Canzonetta, Transition, Quartet I, Quartet II (Recap. of Hymn), Recap. of Variation IV on the Procurer's Song; SCENA III (Painter as Negro) -- Recap. of Variation II on The Procurer's Song, Transition, Recap. of Monoritmica; and then SCENA IV (Dr. Schön as Jack the Ripper) -- Recap. of Variation III on The Procurer's Song, Transition, Lento desolato, Recap. of SONATA -- EXPOSITION and REPRISE, Recap. I of Cavatina, Recap. of Arietta, Recap. II of Cavatina, Recap. of Monoritmica and subsequent Interlude, Recap. of Recitative I (Act 1, Scene I) at descent, Nocturno (Berg's spelling), Molto lento (twelve-tone Todesschrei der Lulu), Grave.

The music published in OctandreProject is exclusively dedicated to divulgation purposes and not commercial. This within a program shared to study classic educational music of the 1900'/music today which involves thousands of people around the world. If someone, for any reason, would deem that a video appearing in OctandreProject violates the copyright, please inform us immediately and it will be our care to remove immediately the copyrighted material accordingly.
(La musica pubblicata in OctandreProject è dedicata esclusivamente alla divulgazione per scopi non commerciali. Questo all'interno di un programma educativo per studiare musica del 1900/musiche d’oggi e si rivolge ad una platea internazionale. Se qualcuno, per qualsiasi motivo, ritiene che materiali che appaiono in OctandreProject violano il diritto d'autore, vi preghiamo di informarci e sarà nostra cura rimuovere immediatamente il materiale indicato.)